Archives for category: concrete / visual poetry

At the close of every year, for over a decade, I have taken a moment in to reflect upon the year’s publications. Like in previous years, my “most engaging books” list reflects what I found most fascinating / useful / generative in terms of form & content from the books I read in 2020.

Seek out these volumes; every one will reward the search (your local, independent, bookstore can help; an excellent choice as many are struggling under the pandemic). This is the cream of the crop for 2020, seriously:

Photographs of a new work in progress … this piece is 36″ (3ft) x 192″ (16ft), letraset on paper.    

The fourth of a projected 10 volumes, VEXATIONS Book 4: Xerox Workcentre 7845i decomposes the score of Erik Satie’s masterpiece through repeated photocopy degeneration, moving writing towards “furniture music.”

Each volume uses a different photocopier to degenerate Satie’s score – with startlingly unique results. Taken as a 10-book suite, the completed project will present 840 variations (84 variations per book over 10 books)

Purchase a copy here (limited edition of 26 copies; 176 pages $26 + shipping)

Download a free PDF here

Pour se jouer 840 fois de suite ce motif,

il sera bon de se préparer au préalable,

et dans le plus grand silence, par des immobilités sérieuses

—Erik Satie

(“In order to play the theme 840 times in succession,

it would be advisable to prepare oneself beforehand,

and in the deepest silence, by serious immobilities”)

—Erik Satie

The previous three volumes of VEXATIONS remain in print and are available for order:

Vexations 3: Lexmark XM5163.

Vexations Book 2: Xerox Workcentre 5755.

Vexations Book 1: Lexmark XM9155

 

 

CONCRETE & CONSTRAINT, a new display at London’s bookartbookshop (31 May – 13 June) featuring new editions from no press, Blasted Tree, libros del pez espiral, Spacecraft Press, Penteract Press, Jean Boîte Editions, above/ground and edition taberna kritika, Coach House Books and information as material … thank you to Tanya Peixoto for curating this exhibit!

vexations-3-77The third of a projected 10 volumes, VEXATIONS BOOK 3: Lexmark XM5163 decomposes the score of Erik Satie’s masterpiece through repeated photocopy degeneration. Beaulieu’s VEXATIONS moves writing towards “furniture music.”

Each volume uses a different photocopier to degenerate Satie’s score – with startlingly unique results. Taken as a 10-book suite, the completed project will present 840 variations (84 variations per book over 10 books)

Purchase a copy here (limited edition of 26 copies; 176 pages $26 + shipping)

Download a free PDF here

Pour se jouer 840 fois de suite ce motif,

il sera bon de se préparer au préalable,

et dans le plus grand silence, par des immobilités sérieuses

—Erik Satie

(“In order to play the theme 840 times in succession,

it would be advisable to prepare oneself beforehand,

and in the deepest silence, by serious immobilities”)

—Erik Satie

Calgary’s Blasted Tree Press has just issued a new leaflet of mine, “In Memoriam, Bob Cobbing and Jennifer Pike Cobbing” 15941117_10158057490310704_3328122276796633481_n

penteractlogoAnthony Etherin’s Shropshire, UK-based Pentaract press has just published my

Five Poems (for Leonard Dawe) 

“A leaflet presenting five visual poems inspired by the strange story of Leonard Dawe, a wartime teacher and crossword compiler for The Daily Telegraph, who, at the time of the D-Day invasion, became the unwitting subject of an MI5 espionage investigation….”

Copies are available for £2 plus p&p. Paypal is preferred. To order, please email penteractpress@gmail.com.

Flat Singles Press – a small press dedicated to printing on found and reclaimed paper, has just printed a visual poem of mine in an edition of 10, all made on old envelopes … thanks Joe! fullsizerender fullsizerender3

Rachel Defay-Liautard’s ASMR Editions has just published my Since 2005 I have edited and published no press, a small dedicated to publishing whatever the hell i feel likein an incredible individually handwritten edition … gorgeous!

more info on ASMR editions (and to order copies)FullSizeRender FullSizeRender[1] FullSizeRender[2]

I was approached a few months back to create a poem in response to The Vimy Foundation‘s replanting of oak trees at Vimy Ridge for the 100th anniversary of that First World War battle: “Quercus (for Guillaume Apollinaire)” is the result.

I arranged the names of every type of oak tree that grows in Canada and France in a column designed to evoke classical memorials and the trunks of grand oaks. Embedded within the column, quietly asserting a poetry within the trunks and branches, is a single quotation from Apollinaire’s famous 1st World War poem “Le Petit Auto” [“The Little Car”, 1914]. Apolllinaire’s calligrams were the precursor for the contemporary concrete poem and his work stands testament to the affect of the French avant-garde on contemporary poetics. and “Quercus” evokes his subtle arrangement of letters in tear drops and machinery. “Quercus” embeds Apollinaire’s “Nations hurled together so they / might learn to know one another” setting the line within the very trees and columns which stand testament to the lives lost. Apollinaire himself survived a head wound at the front in 1916, but died from the Spanish Flu two days before the armistice, Nov 9, 1918.Nations hurled together so they might learn to know one another