Please, no more poetry: the poetry of derek beaulieu
Edited by Kit Dobson.
Waterloo: Wilfrid Laurier University Press, 2013.
available for order here or from your local independent bookstore.
Since the beginning of his poetic career in the 1990s, derek beaulieu has created works that have challenged readers to understand in new ways the possibilities of poetry. With nine books currently to his credit, and many works appearing in chapbooks, broadsides, and magazines, beaulieu continues to push experimental poetry, both in Canada and internationally, in new directions. Please, No More Poetry is the first selected works of derek beaulieu.
As the publisher of first housepress and, more recently, No Press, beaulieu has continually highlighted the possibilities for experimental work in a variety of writing communities. His own work can be classified as visual poetry, as concrete poetry, as conceptual work, and beyond. His work is not to be read in any traditional sense, as it challenges the very idea of reading; rather, it may be understood as a practice that forces readers to reconsider what they think they know. As beaulieu continues to push himself in new directions, readers will appreciate the work that he has created to date, much of which has become unavailable in Canada.
With an introduction by Kit Dobson and an interview with derek beaulieu by Lori Emerson as an afterword, Please, No More Poetry offers readers an opportunity to gain access to a complex experimental poetic practice through thirty-five selected representative works.
New Orleans’ József Makkos is publishing a new small press edition of excerpts from my conceptual novel Flatland.
The edition will be a tactile treat and will feature letterpress covers printed on 50-year-old laid Strathmore bond (a type of which hasn’t been made for 20 years), off-white felt finis flyleaves and interior pages on english bond …
a few preview photos of the prototype for this forthcoming edition:
Xexoxial editions has just published a selection of my visual poetry entitled Kern as the latest issue of Xerolage Magazine …. check it out!
Lori Emerson and I are proud to have edited Writing Surfaces: Selected Fiction of John Riddell through Wilfrid Laurier University Press. Copies are now available to order through your local independent bookstore.
No Press is proud to announce the release of three new publications:
“Exercizes (Louis-Ferdinand Céline)” by Ola Ståhl — a trio of typewriter-based visual translations of Céline; published in a limited edition of 60 copies (only 28 of which are for sale). Each copy if handsewn into hand-typed, found paper covers.
“Uncreative Manifesto (2005)” by Nyein Way — a manifesto of conceptual writing from Myanmar and the basis for Way’s investigation of the international potential of conceptual writing. Produced in a limited edition of 80 copies (of which only 38 are for sale).
“Manifesto of Yellowism” by Marcin Lodyga and Vladimir Umanets. The key document in the emergence of “Yellowism“, the internationally notorious “autonomous phenomenon in contemporary culture.” Produced in a limited edition of 80 copies (of which only 38 are for sale).
All three of these limited edition items are now available for $6 total (including postage); please email derek@housepress.ca to order copies.
The kind folks at in edit mode press have sent some photographs of some of the pieces in the new edition of Local Colour : Ghosts, variations
Seen of the Crime: essays on conceptual writing [PDF] is now online through ubuweb (and thank you so much to Snare Books for the original edition):










