PoetLaureateLogo_0(Calgary AB) – Calgary Arts Development and the Calgary Poet Laureate Selection Committee are pleased to announce the appointment of derek beaulieu as the 2014-16 Calgary Poet Laureate. The position was formally announced in Council Chambers at Calgary City Hall this morning, with outgoing laureate Kris Demeanor speaking about his experience as Poet Laureate. Demeanor also presented his legacy anthology, The Calgary Project: A City Map in Verse and Visual, to city councillors, and youth poet Emily Xu, who contributed to the volume, performed some of her poetry.

To celebrate beaulieu’s appointment, his concrete poem “Prose of the Trans-Canada” will be projected onto the Calgary Tower during the evenings of April 28 and 29. The 20-metre projection was adapted into an “illuminated light sculpture” by Wordfest in 2011.

A longtime resident of Calgary, beaulieu is the author of eight books of poetry, three volumes of fiction and one volume of literary criticism. For 17 years he has been developing poetic communities; he has mentored and promoted young and established writers as publisher/editor of housepress and No Press, and as a former editor of Calgarian magazines filling Station, dANDelion and Speechless. beaulieu has taught students from grade school to the post-graduate level and has won awards for his current teaching at the Alberta College of Art + Design. In 2013 Wilfrid Laurier University Press published Please, no more poetry: the poetry of derek beaulieu. He has performed and discussed poetry in Iceland, Norway, Sweden, Ireland, the UK and across North America. beaulieu’s poetry is internationally renowned as challenging, generative and dedicated to conversation.

As Calgary Poet Laureate, beaulieu will serve as an artistic ambassador for the citizens of Calgary from 2014-2016. A $10,000 honorarium is paid per year for the position, funded by six Calgary Poet Laureate Ambassadors (The Calgary Foundation, the Calgary Chamber, First Calgary Financial, FirstEnergy Capital, Transcanada and one anonymous donor).

“Calgary is world-renowned for having a thriving literary community and history. I am proud to be the the 2014-2016 Poet Laureate and to represent our city locally, nationally and internationally,” says derek beaulieu. “Poetry is the active, thoughtful engagement of language to describe and respond to our experience — I look forward to working with Calgary’s literary communities to share that engagement.”

“The enthusiasm we’ve seen for the Calgary Poet Laureate has been astonishing, from the support of Calgary’s private sector to the widespread interest in the capacity for poetry to inspire and build community,“ says Patti Pon, President & CEO of Calgary Arts Development. “On behalf of Calgary Arts Development and the citizens of Calgary, I would like to thank Kris for his service to the city during his time as Calgary Poet Laureate, and welcome derek beaulieu to the role. I look forward to witnessing how derek’s artistry will enrich our civic landscape over the next two years.”

A celebration to welcome the new Poet Laureate called “Parting Words/Starting Words” will be held at 7:00pm on April 29 at TELUS Spark (220 St. George’s Dr. NE). The event will feature presentations from both outgoing Poet Laureate Kris Demeanor as well as derek beaulieu, as well as other performers that will highlight the diversity within Calgary’s poetic community. Tickets are free and be reserved at YYCPoet.Eventbrite.com.

Photos are available at gallery.calgaryartsdevelopment.com (please note photo credits).

Further Information
Cadence Mandybura
Communications Liaison, Calgary Arts Development
Phone: 403.264.5330 ext. 201 (office); 403.585.5390
Email: cadence.mandybura@calgaryartsdevelopment.com

img_1798This broadside is printed using a variety of both lead and wooden type on BFK Rives fine paper, in a limited number of 40 editions, each consisting of 3 separate sheets contained in a folio. Numerous typefaces have been used, including Bernhard Medium, Bodoni, Caslon Old Style, Century, Franklin Gothic, Futura, and Piranesi Italic.

Printed by Trisia Eddy at Edmonton’s Red Nettle Press, this edition is now available for order in a strictly limited edition of 40 copies.

IMG_0004No Press is proud to announce the publication of

from SIGINT by Ken Babstock

Published in a hand-bound edition of 80 copies (only 40 of which are for sale), from SIGINT is available for $3 including domestic postage (+ $2 non-Canadian postage). To order please email derek beaulieu.

These sonnets “occur” inside the abandoned NSA Surveillance station on the summit of Teufelsberg (Devil’s Mountain) in Berlin, Germany. A manmade mountain, Teufelsberg is the result of the Allies’ decision to pile massive quantities of the postwar rubble of Berlin on top of an SS Engineers’ College, designed by Albert Speer, and left unfinished after the war. The poem makes use of diction adapted from Walter Benjamin’s records of his son’s language acquisition between the ages of 2 and 6. The italicized “incident reports” that appear in lieu of a traditional sonnet’s closing couplet point to collisions between light aircraft and common swifts in what would have been Soviet air space.

Ken Babstock’s first collection in 1999, Mean, won him the Milton Acorn Award and the 2000 Atlantic Poetry Prize. Babstock worked as Poetry Faculty at the Banff Centre for the Arts and currently lives in Toronto. Babstock’s collection, Airstream Land Yacht, won the Trillium Book Award, was shortlisted for the 2007 Canadian Griffin Poetry Prize, and was nominated for the 2006 Governor General’s Award for poetry. Babstock’s most recent collection, Methodist Hatchet, won the 2012 Canadian Griffin Poetry Prize.

beaulieu - 2014 ACADSA award-2

CBC-Pizza-1974_hr_enOn April 13th the CBC’s “The World This Weekend”did a short feature on my Alberta College of Art + Design ENGL214 (creative writing) class for national broadcast. You can listen to the 3:45 long piece here or click over to the CBC page for the entire program

 

IMG_0744IMG_0758IMG_0772 IMG_0745IMG_0760     IMG_0751   IMG_0761 IMG_0755 IMG_0757  IMG_0759IMG_0767IMG_0779IMG_0781IMG_0773IMG_0752IMG_0747   IMG_0762IMG_0754 IMG_0763 IMG_0766  Photographs from “CORPUS 38”, the final exhibition of ENGL310: Visual Narrative at ACAD, Winter 2014 — artwork and performances by students featuring their creative interaction with visual narrative. Over the last few months we have studied avant-garde graphic novels, indecipherable encyclopedias, radical film, imaginary, unfolding narratives and more. A privilege to work with these creative and challenging gang!      IMG_0777 IMG_0778   IMG_0782IMG_0776

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Photographs from “My Favourite Ones are the Mad Ones”, the final exhibition of ENGL214: Creative Writing at ACAD, Winter 2014 — artwork and performances by students featuring their creative interaction with typewriters. Amazing students, an incredible honour to work with them all semester.IMG_0738IMG_0727IMG_0722IMG_0660IMG_0721IMG_0668IMG_0712IMG_0670IMG_0661IMG_0691IMG_0689IMG_0687IMG_0683IMG_0682IMG_0680IMG_0701IMG_0679IMG_0677IMG_0676IMG_0675IMG_0673IMG_0671IMG_0669IMG_0667IMG_0666IMG_0663IMG_0662IMG_0659 (More photos on Facebook)IMG_0659

posterMy Favourite Ones are the Mad Ones is an exhibition put on by Derek Beaulleu’s Alberta College of Art + Design ENGL214 Creative Writing class. This class has challenged the student’s methods of writings by introducing a typewriter to their assemble of writing and art making tools. The final products of this class will be displayed in ACAD room 395, as a visual arts show on April 10th, 2014 from 12:30 PM – 2:00 PM.

ground rules COVER try2you are invited to the Calgary launch of Ground Rules: above/ground press: the best of the second decade, 2003-2013

with readings by three Calgary contributors:

derek beaulieu
Natalie Simpson
+ Julia Williams

Edited by rob mclennan, with an introduction by Gil McElroy, Ground Rules features writing from the second decade of one of the most active micro publishers in Canada, selected from a series of hundreds of publications lovingly edited, produced and distributed by editor/publisher rob mclennan. A follow-up to Groundswell: best of above/ground press, 1993-2003 (Broken Jaw Press, 2003), Ground Rules includes a wide range of work by Artie Gold, Mark Cochrane, Suzanne Zelazo, derek beaulieu, Stephanie Bolster, Amanda Earl, Nathanaël, Lisa Samuels, Rachel Zolf, Sharon Harris, D. G. Jones, Julia Williams, Eric Folsom, Gregory Betts, Natalie Simpson, Aaron Tucker, Monty Reid, William Hawkins, Emily Carr, Cameron Anstee, Helen Hajnoczky, Marilyn Irwin, Stephen Brockwell, Robert Kroetsch and rob mclennan.

lovingly hosted by Chaudiere Books editor/publisher rob mclennan
7:30pm, Thursday, May 8, 2014
Shelf Life Books
1302 4 St SW, Calgary, AB

beaulieu-emersonEric Schmaltz has just reviewed John Riddell’s Writing Surfaces: selected fiction of John Riddell (as edited by Lori Emerson and myself) on Lemonhound:

This necessary volume offers a comprehensive selection of Riddell’s diverse array of meta-media writing strategies. Emerson and beaulieu’s selection spans from his better-known lipogrammatic comic “Pope Leo: El Elope” (illustrated by bpNichol) that recounts the tragic murder of Pope Leo using only four letters (P, O, E, L) to the dirty, concretistic “a deux,” a work composed of typewritten text that is disrupted by smears, hand drawn lines, and inkblots. Much of the work presented here explores Riddell’s interest in the relationship between machines and language–he creatively intervenes with the functions of the typewriter, photocopier, and paper shredder, among other technologies. Riddell’s work poses a special challenge to editors because much of it is unreproducible–much of it relies on aleatoric operations and at other times precise and irreproducible gestures. Considering both editors’ outstanding backgrounds exploring radical, media-related literature, there may be no one better to trust with this work.