11391767_1459558514357918_8649991575873222971_nVery pleased to be teaching again at the Writers Guild of Alberta’s WORDSWORTH 2015 – a summer camp for literary teens … kamp kiwanis is an amazing place to be in July!

The University of Calgary’s Faculty of Arts has just published a special Alumni Connections magazine. I’m thrilled to appear on the cover and have a 2-page article inside…cover  u magazine 1u magazine 2

IMG_1200 IMG_1201 IMG_1202 IMG_1203No Press is proud to announce the publication of

20 LINES by Matt Madden

Published in a limited edition of 40 copies (only 20 of which are for sale from the press), 20 LINES is available for $8.00 including domestic postage (+ $2 non-Canadian postage). To order please email derek beaulieu.

 

 

Madden has this to say about 20 LINES:

I recently finished a one-year drawing project called “20 Lines”

The initial inspiration was a prose book by the American Oulipo author Harry Mathews called 20 Lines a Day, which is a partial document of a period where he wrote 20 lines of prose every morning he was at his desk as a warm-up exercise. He was inspired by a quote by Stendhal to the effect of “20 lines a day, genius or not”. He took that notion literally in a somewhat wry way and I did the same kind of thing: well, 20 drawn lines, how is that so different from 20 lines of writing? (It’s faster for one thing, most of the time.)

I took it on once we moved to France because one of my goals here is to work on my drawing, which lags behind my writing and my structural/linguistic thinking about comics. My goal was to concentrate on the most basic elements of drawing–lines on a ground–to reflect on how lines fill space, how they fit together. Maybe not so much “reflect” as simply to put my drawing hand, my brain, and my eyes to work to see what would come out of it. How all that will translate back into my comics I don’t really know, but I see it as part of a process of taking more conscious control of my drawing both at a physical as well as conceptual level.

Matt Madden is a cartoonist who has taught at the School of Visual Arts and in workshops around the world. His work includes 99 Ways to Tell a Story: Exercises in Style (Penguin), a collection of his comics adaptation of Raymond Queneau’s Exercises in Style; a translation from the French of Aristophane’s The Zabîme Sisters (First Second); and Drawing Words & Writing Pictures and Mastering Comics, (First Second), a pair of comics textbooks written in collaboration with his wife, Jessica Abel. For six years the couple were also series editors for The Best American Comics from Houghton-Mifflin Harcourt. He is currently on an extended residency at La Maison des Auteurs in Angoulême, France.

I was honoured to be the guest speaker at The Alberta College of Art + Design’s 2015 Convocation11221301_10153288031866346_3824064715146837533_n; click the photo to listen to the entire speech (as recorded by Kristen Beaulieu from the audience)…

Pizza Poems for Reading Town 1[2]Calgary Reads, in an effort to promote literacy and reading, recently included local poems in every pizza ordered from Inglewood Pizza and Without Papers. Here is my inclusion in the series…

metro

This spring I am scheduled to teach an extended studies credit course at Alberta College of Art + Design:  ENGL217: Introduction to Narrative ENGL217 is dedicated to the exploration of the potential of found and crafted narrative – how narrative and story emerges from alternate media, is crafted by the the reader and how it can be a physical, graphic process-based activity. Students will create assignments in dialogue with Jonathan Ball’s Ex Machina, Jorge Luis Borges’ Labyrinths, Kate Briggs’ The Nabokov Paper, Sophie Calle’s The Address Book and Tom Phillip’s A Humument. The course is designed to push boundaries and explore the edges of the map and will include public-space work, discussions around the possibility of chose-your-own-adventures, digital text generation and embedded literature. extn_calendar_ss_15_Page_34 ENROLL TODAY!

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kern-derek-beaulieu-cover-front-feature“simultaneously charming and terrifying” the Cordite Review weighs in on KERN

kern-derek-beaulieu-cover-front-featureFrank Davey reviews KERN on the London Open Mic Poetry Night blog