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Unknown ACAD Liberal Studies Instructor Derek Beaulieu is planning to teach his students how to type.

Starting in January, every student in Beaulieu’s Creative Writing course will be required to create all of their notes, their assignments and their final projects on portable manual typewriters.

Students will be required to write in class, in coffee houses and on public transit in order to make traditional poetry and prose, but also to use the typewriters to create portraits and music — all in order to explore the artistic possibilities of these sadly neglected machines.

In order to bring these ideas to his students, Beaulieu is seeking the donation of 35 portable, manual typewriters in working condition. 

“Typewriters epitomize the romance of being a writer. Every typewriter harkens back to a golden age: the clack of the keys, the ding of the carriage, the rachetting of the roller. This is an opportunity for students to engage as artists with the sensual, tactile experience of making language.”

Unknown-2Beaulieu has already started to gather a few typewriters, most of which he has found in the dusty corners of shops in Okotoks, Blairmore, Coleman and on the neglected shelves of jumble shops in Calgary. Well-oiled and awaiting the ingenuity of students to bring them alive again, each typewriter allows for a new chance to see these once frequent machines to ring with new projects and manuscripts.

Students will sign out the typewriters and will be required to return them at the end of semester in working order, allowing for an ongoing resource and a chance to offer the class again and again. At the end of semester student projects will be celebrated in a small gallery exhibition on campus.

Old portable typewriters — found in basements, closets and backroom storage — are perfectly ideal for this unusual course as every typewriter will allow a student to treat writing as a hands-on process — a chance to relearn how it felt to write one letter at a time.

ACAD has a rich legacy of hands-on education in craft, design and art — and this course brings all of those ideas to creative writing in one noisy, clacking classroom of student-driven exploration.

Derek Beaulieu can be reached via email

As part of teaching ENGLISH 216: Literature and Community at Alberta College of Art + Design this Fall, I have made sure my students have had a chance to meet and listen to in-class readings by some of Calgary’s most challening and exciting speakers. My student Jennifer Herring recorded many of the class visits. Click below to hear full recording of many of the performances:

October 4: Caitlynn Cummings, managing editor of filling Station magazine

October 18: Christian Bök and Helen Hajnoczky

October 25: Paul Zits

November 1: Natalie Simpson

November 15: Eric Moschopedis and Mia Rushton

Huge thanks to all of the poets and performers. You’ve helped bring the class – and the Calgarian community – to life.

reader-logoThe American Reader has just excerpted some samples from Please, No More Poetry; the poetry of derek beaulieu.

ccwwp-sidebar-280 Andrea Johnston has just published her “minimalist interview” with Micheline Maylor and myself at the Canadian Creative Writers and Writing Programs (CCWWP) blog

The folks at eBound recently interviewed the staff at Wilfrid Laurier University Press about digital publishing. Their discussion touched upon themes from Please, No More Poetry: the poetry of derek beaulieu. . .

Poetry and Digital Formats: An Interview with WLU Press

 

 

thank you so very much to the student association of the Alberta College of Art + Design for this incredible Appreciation Award; i’m humbled and honoured.acad

borsukFor the last two years I have posted my “most engaging books” list (2011’s list, 2010’s list) with a selection of what i considered the most fascinating / useful / generative books of the year. Seek out these volumes, every one will reward the search (and your local, independent, bookstore can help…). This is the cream of the crop for 2012:

Jaap Blonk Traces of Speech / Sprachspuren. (Berlin: Hybriden-Verlag.)

Amaranth Borsuk. Handiwork. (New York: Slope.)

Amaranth Borsuk and Brad Bouse. Between Page and Screen. (Los Angeles: Siglio.)

Sophie Calle. The Address Book. (Los Angeles: Siglio.)

Natalie Czech. I have nothing to say. Only to show.(Leipzig: Spector Books)

Johanna Drucker. Druckworks: 40 years of Books and Projects. (Chicago: Columbia College)

Craig Dworkin, Simon Morris and Nick Thurston. Do or DIY. (York: information as material.)

Emma Healey. Begin with the End in Mind. (Winnipeg: Arbeiter Ring.)

Dennis Lee. testament. (Toronto: House of Anansi.)

Edouard Leve. Autoportrait. trans. Lorin Stein (London: Dalkey Archive Press.)

Silvio Lorusso and Sebastian Schmieg. 56 Broken Kindle Screens. (print on demand.)

Jena Osman. Public Figures. (Middletown: Wesleyan UP)

Tom Phillips. A Humument. 5th edition (London: Thames and Hudson.)

Nicola Simpson, ed. Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard. (London: Occasional Papers)

Barrie Tullett. A Poem to Phillip Glass. 2nd edition. (York: The Caseroom Press.)

The kind folks at in edit mode press have sent some photographs of some of the pieces in the new edition of Local Colour : Ghosts, variations

Pre-order your copy now at a discount : €50.

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I am thrilled to announce that I am the guest blogger for Denver’s Museum of Contemporary Art in conjunction with their exhibition Postscript: Writing after Conceptual Art. My first post, on Fiona Banner’s 1066, is now live…