Archives for posts with tag: ugly duckling presse

At the close of every year, for over a decade, I have taken a moment to reflect upon the year’s publications. Like in previous years, my “most engaging books” list reflects what I found most fascinating / useful / generative in terms of form & content from the books I read in 2023.

Seek out these volumes; every one will reward the search (your local, independent, bookstore can help; an excellent choice as many continue to struggle). This is the cream of the crop for 2023, seriously … from poetry to fiction, translation to nonfiction, each of these titles will blow your mind:

Abel, Jordan. Empty Spaces (Penguin Random House)

Archer, Sacha. cellsea (Timglaset Editions)

Barwin, Gary. Portal (Potential Books)

“Berrigan, Raymond”. Sonnets Edited by Philip Terry (Timglaset Editions)

Bertram, Lillian-Yvonne. Negative Money (Soft Skull Press)

Briggs, Kate. The Long Form (Dorothy, A Publishing Project)

Copithorne, Judith. Another Order: Selected Works Edited with an introduction by Eric Schmaltz (Talonbooks)

Desnos, Robert. Night of Loveless Nights Translated by Lewis Warsh (Winter Editions)

Griffiths, Paul. Let Me Go On (Henningham Family Press)

Homer, The Iliad Translated by Emily Wilson (W.W. Norton)

Hussain, Nasser. Love Language (Coach House Books)

Melgard, Holly. Read Me: Selected Works (Ugly Duckling Presse)

Schmaltz, Eric. Borderblur Poetics: Intermedia and Avant-Gardism in Canada, 1963-1988 (University of Calgary Press)

Storm, Danni. W(ord)s & Weavings (Galleri Orn / Eget Forlag)

Tucker, Aaron. Soldier, Hunters, Not Cowboys (Coach House Books)

At the close of every year, for over a decade, I have taken a moment to reflect upon the year’s publications. Like in previous years, my “most engaging books” list reflects what I found most fascinating / useful / generative in terms of form & content from the books I read in 2021.

Seek out these volumes; every one will reward the search (your local, independent, bookstore can help; an excellent choice as many continue to struggle under the pandemic). This is the cream of the crop for 2021, seriously:

FullSizeRenderOnce again, December brings an opportunity to reflect upon the year’s books. Like previous years, my “most engaging books” list is idiosyncratic and reflects what i found most fascinating / useful / generative. Seek out these volumes, every one will reward the search (and your local, independent, bookstore can help…). This was an amazing year for poetry with many titles that were simply exceptional. This is the cream of the crop for 2014, seriously:

Abel, Jordan. Un/Inhabited. (Talonbooks / ProjectSpace)

Babstock, Ken. On Malice. (Coach House Books)

Czech, Natalie. I can not repeat what I hear. (Spector)

Dodds, Jeramy, trans. The Poetic Edda. (Coach House Books)

Emerson, Lori. Reading Writing Interfaces from the Digital to the Bookbound. (University of Minnesota Press)

Fitterman, Robert. No, wait. Yep. Definitely still hate myself. (Ugly Duckling Presse)

Hancock, Brecken. Broom Broom. (Coach House Books)

Lockwood, Patricia. Motherland Fatherland Homelandsexual. (Penguin)

Queyras, Sina. MxT. (Coach House Books)

Robertson, Lisa. Cinema of the Present. (Coach House Books)

Simpson, Natalie. Thrum. (Talonbooks)

Zultanski, Steven. Bribery. (Ugly Duckling Presse)